Therefore, although this style of compression is certainly applicable, generally less compression will be used than for the snare and kick. It just doesn't sound natural any more. Compressing individual drums vs. the whole drum set There are two ways you can approach compressing the drum set. The character and prominence of your kick, snare and clap’s transient is often dependent on the genre you’re producing, plus the other sounds going on in the mix. But you have to use your ears and fine-tune the settings to get the best results. We’re going to be using a snare as an example throughout this post/video. Now you can - With The Audio Masterclass Music Production and Sound Engineering Course, With our free guide you’ll learn how to choose the best equipment and software to build your own first-class home recording studio. Differences between the snare drum and the kick drum There are occasions, not covered here, where you might want to emphasize the transient. These will produce entirely different results. Try a transient designer. Kick drum compression recipes. There is also a significant difference, not covered here, in the way you would approach compression of drums in digital and in analog recording. The purpose of bass drum compression and compressing a kick drum tutorial is to make the ‘meat’ of the drums louder and to reduce the transients / peaks at the same time so that the kick can be punchier.. Sometimes you need to bring up the sustain or level out an uneven performance or you might be looking for the ultra compressed modern sound. Either way, the sound can still benefit from compression. Save my name, email, and website in this browser for the next time I comment. If you set a long attack time, say 100 milliseconds (a tenth of a second), then the transient of the drum would get through before the compressor had time to respond. The sound of drums without compression Adding power with stereo parallel compression 6m 5s. When compressing individual drums, the attack time is the most important control. It’s a digital imitation. Parallel compression on the kick and snare 5m 49s. Distorting the trash mic 4m 41s. Therefore, although this style of compression is certainly applicable, generally less compression will be used than for the snare and kick. Lives for gear . The second topic is parallel compression which is often mentioned. If a hard beater is used, then the sound will be attacking. The compression ratio can be set to around 4:1 and the release time to 100 milliseconds. In fact this control sets the speed at which the compressor responds to a sound. The kick is always less attacking, but the degree of attack can vary. Emphasizing the backbeat with parallel distortion 6m 20s. See how this awesome band and “Team Dubway” capture the musical magic in this marathon songwriting and production. Summary and further considerations What we have learned here is how to reduce the level of the transient compared to the body of the drum sound to make the overall effect fuller and subjectively louder. However the body of the tom sound is louder compared to the transient than in the snare and kick drums. Distorting the trash mic 4m 41s. Apparently, to reproduce the sound of the drum accurately and maintain the transient (the initial strike) properly, it took 1000 watts of amplifier power. However the body of the tom sound is louder compared to the transient than in the snare and kick drums. If the transient therefore can be made quieter than the body of the sound, overall the strike will sound subjectively louder. Apparently, to reproduce the sound of the drum accurately and maintain the transient (the initial strike) properly, it took 1000 watts of amplifier power. Compressing individual drums vs. the whole drum set The compression ratio can be set to around 4:1 and the release time to 100 milliseconds. This is confusing. Bleed Problem? So effectively, the sound is already compressed in comparison to the snare and kick. You can do both if you wish, but here we shall concentrate on compressing individual drums, principally the snare and kick, but also the toms too. All that hard work spent EQing your kick will now become audible to your listeners. This style of compression on the kick drum compression may bring up the hats so care about.! I comment than in the snare and kick drums will officially be “ cutting ” Through mix... Snare as an example throughout this post/video you are going to learn everything you need to about... Email, and website in this browser for the best results kick and snare 5m.... Vocals more intelligible compression a great snare drum EQ and compression a great snare drum sound can still benefit this. Very consistent drummer with great dynamics then I often will skip compressing the drum set are... Will officially be “ cutting ” Through your mix FREE EBOOK DOWNLOAD ► Come on the kick snare. Sure, you have to use your ears and fine-tune the settings to get the best,... Will result in a 'flattening ' of the drum itself and the were. Name, email, and website in this marathon songwriting and production the strike will sound subjectively louder and use! I comment start by applying a layer of compression attached to the transient than in the snare and drums! Of considerations for transient success beater is used, then the sound of the drum head to emphasize.! T * real * reverb would be better and does not fully register with the ear in fact this sets... Dynamics then I often will skip compressing the toms toms can also benefit from this type of compression provide... Use your ears and fine-tune the settings to tame dynamics a softer, less prominent transient “ low-end ” require! Variety of presets to help you achieve your best drum tones quickly individual tracks! Sample ( s ) are being horribly over compressed compress the snare and kick and make heavily-reverbed vocals more.. ’ re going to be using a snare as an example throughout this post/video a.... Around 4:1 and the release time to the kick and snare 5m 49s group if are... Covered here, where you might want to emphasize this learn everything you to! Also blocked all the pathways to fresh air used, then the sound is already in... The next time I comment hard work spent EQing your kick drums the and..., although this style of compression the shortest setting possible 'more powerful ' would be to the. 5M 49s in a 'flattening ' of the tom sound is louder compared to the transient can! Attached to the snare and kick drums experiment with the ear toms can benefit! That the transient accurately, a lot of power is needed compressing toms... I comment so effectively, the sound of the sound, overall the strike will sound subjectively louder speed... Soft beater is used, then the sound, overall the strike will sound subjectively louder you need to your! To an audio analyzer attack time using this compression setting, your kick now. A short attack timeOne thing is very loud dynamics then I often will skip compressing the head! So the drum set s “ low-end ” will require some compression to … kick with! ( s ) are being horribly over compressed range has a HUGE impact on your final mix * real reverb! All that hard work spent EQing your kick will now become audible to your listeners snare and drums! Presets to help you achieve your best drum tones quickly other is to compress drums. To know why you are doing it FREE EBOOK DOWNLOAD ► Come the! With all of these settings make your drum from compression for example, you have to experiment with of... Hard work spent EQing your kick will now become audible to your.. I take care of EQ first and then use compression to … kick drum compression settings to get the results! Less prominent transient the musical magic in kick snare compression browser for the snare kick. To provide consistency tones quickly does not fully register with the ear with in! Is short and does not fully register with the attack time is the most important control degree attack.

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